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Rob Zombie's 31 (2016) is now streaming free with ads on Tubi and Fawesome, it's also streaming for subscribers of Prime.
The psychological thriller / splatter horror had a special sneak preview premiere on September 1, 2016 followed by a limited theatrical release on September 16, 2016. It was then exclusively released on Shudder two weeks before being released on DVD and Blu-ray on December 20, 2016.
Five carnival workers are kidnapped and held hostage in an abandoned, hellish compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.
The day before Halloween, five carnival employees are kidnapped & held hostage in an isolated compound known as "Murderworld". On Halloween, they are thrown into a sadistic game called "31" where they must survive 12 hours against a gang of maniacs dressed like clowns. It's time to play 31.
Written, directed, and produced by Rob Zombie. It stars Sheri Moon Zombie, Richard Brake, Meg Foster, Malcolm McDowell, Daniel Roebuck, Lawrence Hilton-Jacobs, Jeff Daniel Phillips, Ginger Lynn, Pancho Moler, and E. G. Daily.
Fanthom Events 60sec trailer:Teaser Trailer:
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A Shudder Exclusive Trailer:
Final Scene Aerosmith's Dream On:

Psycho Schizo entrance scene:

Getting Ready Movie Clip:

I'm not crazy scene:

Trick Or Treat Movie Clip:

Welcome Movie Clip:

Rob Zombie Premieres "31"- Intro and Complete Q & A @ Sundance 1-23-16:

Rob Zombie's 31 Q&A Panel from Texas Frightmare Weekend 2017:

The Cast of Rob Zombie's 31 Talks About Their Roles In The Film | PopHorror:

Rob Zombie's 31 Panel---Rock and Shock Convention 2016:

Rob Zombie e Sheri Moon Zombie presentano 31 (eng-es):

BTS 31 This is good for general chaos:

BTS 31 Neck Cut Open or Already Open?:

BTS 31 Shouldn't Be Any Bigger Than a Baseball Bat:

The Making of Rob Zombie's 31 Pancho Moler:

The Making of Rob Zombie's '31' (2016) 2hrs 11min:

Interview - Rob Zombie - Sheri Moon Zombie - 31:

31 Questions With Rob Zombie:

Rob Zombie discuss 31 on Eugene's Entertainment Report:

Sam Roberts & Rob Zombie - 31, Movie Ratings, Closed Skate Park, etc:

About 31:

RZ discusses 31 Crowdfunding:

'31' Filmmaker Rob Zombie on His '70s Obsession: 'It Was the Most Free':

Becoming Doom-Head in 31 with Richard Brake:

Preparing for DoomHead:

Pancho Moler "Sick Head" of Rob Zombie's 31 interview from Texas Frightmare Weekend:

PANCHO MOLER of ROB ZOMBIE'S 31 interview - Without Your Head Podcast:

RICHARD BRAKE and JEFF DANIEL PHILLIP'S from ROB ZOMBIE'S 31 at Pat and Lorraine's 2016:

Rob Zombie 31 Soundtrack | YouTube Playlist:
Custom VHS cover by @curseofhaddonfloyd:
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RELATED POST: ROB ZOMBIE'S 31 (2016) ADs, VHS, DVD, Blu-ray Covers and Lobby Cards
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Jack-O's Review: I didn't find 31 as bad as most people say it is. Yeah the over the top swearing is annoying and Sheri Moon Zombie can't act for shit but I loved the music with great visuals, Richard Brake stole the movie as Doom Head I thought and it was good to see E. G. Daily & Pancho Moler also. Too many quick editing cuts to see any gore. The Malcolm McDowell scenes remind me of the Epstein situation going on now, in the way that they seem to be rich people hanging out with young naked girls who are looking down on, taking advantage of, kidnapping and controlling less fortunate people in the 31 game. The characters didn't piss me off as much as other characters in Zombie's previous films. I love Rob's music but I really don't like the piece of shit characters in The Devil's Rejects, I try to watch it again every few years but they just piss me off so much that I can't finish it. I love Lords of Salem and I can tolerate his other films. If you're a Rob Zombie fan, you might like this film too. ★★★ @trickhorrortreater
Reviews:
“Zombie’s filmmaking career began with inventive pop videos for his band White Zombie and he can still frame an interesting shot or layer in an unusual and affecting snatch of music, but after six features he still can’t come up with a fresh story, write characters with more depth than their make-up or direct stalking scenes that are suspenseful or moments of gory violence that are shocking.” Kim Newman, ScreenDaily.com
“With 31 Zombie offers us a more mature take on his tried and tested formula. A commanding performance from Richard Brake and some impressive visuals combine to make this one of Zombie’s stronger works. It is The Running Man Rob Zombie style.” Kat Hughes, TheHollywoodNews.com
“There’s a maturity in 31 that shows he’s grown since House of 1000 Corpses in terms of style and – more importantly – as a storyteller since his remake of Halloween and its god-awful sequel. You may not enjoy the characters or the words that come out of their mouths (one feels that Zombie would be better suited directing other people’s scripts), but there is so much to enjoy in 31.” Film: ★★ / Movie: ★★★★ FlickeringMyth.com
“If the point of 31 was to create a homage to low-rent, gratuitous cinema, you can’t argue it succeeds, and fans of Zombie’s traditional grit and gore will find those sensibilities unfulfilled. But those who want a little more brains and heart spliced in between slices and chops will walk away—perhaps as intended—feeling a little bit dirty.” ★★½ Fangoria.com
“Littered with white trash characters, killer clowns, eccentric Nazis, profanity-laden dialogue, excessive violence, gritty visuals, his usual stable of actors, and a 1970s Halloween setting, 31 feels more like a parody of a Rob Zombie film than the real thing.” BrokeHorrorFan.com
“31 is the most disappointing movie of the year, a film that promised (at the very least) to be viciously entertaining and bloody as hell—it is a Rob Zombie movie, after all. Except it’s none of those things—the violence (what you could see of it, anyway) is a muddled mess, the characters are irrelevant, and the movie as a whole makes no sense. It’s not even dumb fun, it’s just dumb.” ★ TheMissingReel.com
“Rob Zombie truly loves horror movies. But he still hasn’t made a good one, and 31 is a perfect encapsulation of the reasons why: It’s a fanboy’s highlight reel of homages, without any of the credibility or context that made most of the films he’s inspired by so fine.” Variety.com
“Why Zombie felt the need to mask this pile of garbage is unfathomable, though perhaps he knew it was a blatant regurgitation of everything he’s done before, which means everything he’s aped previously. As such, his desensitizing brand of horror wears thin remarkably fast…” ConsequenceOfSound.net
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